Maria Mitchell Vestal Street Observatory Conservation Update: February 2025

Jascin N. Leonardo Finger • February 3, 2025

We are still quietly working away. Now that the paint and plaster repairs are done, the woodwork and shelving has been conserved, and the floor has been redone in the Astronomical Study, we have turned to the concrete floors. These are being worked on by Evita Caune of Riptide Finishes – she had done Hinchman House’s cellar floor and those in the Research Center. The Observatory cellar floor is coming along and she is also working on the Pillar Room – so named because it houses the pillar that supports the telescope in the Dome Room. If there was an original finish on any of the three concrete floors – the Pillar Room, the Dome Room, the cellar under the Astronomical Study – it is gone. They applied many layers of paint that eroded and chipped with time. I do now know why the Pillar Room had a red floor at one point (took me long enough) – probably to match the red tile they put on the original wood floor in the Astronomical Study. Evita is giving us a nice clean coating in the Pillar Room and the cellar and we may have a bit more fun with the floor in the Dome Room – all of this is reversible which comes from a conservation perspective.  All the interior conservation work was funded by the Community Preservation Act – as was the exterior conservation.


One note – the Astronomical Study’s original floor was a total loss as far as finish is concerned. I may have noted this before. It was truly sad. The original wood floor was covered in multiple layers – tarpaper glued to the wood. Then a layer of red tile (tested and was safe), then another layer of tarpaper and glues. Then foam padding and a 1980s blue wall-to-wall carpet – they liked that carpet so much it used to be in the Astronomer’s Cottage too! We thought the tar paper beneath the tiles would be easily removed from the wood. It was not. It had basically melted and seeped into the floor so we have to lightly sand the floor and then refinish it. That was quite sad – but at least we have the original wood floor intact.


JNLF

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By Jascin N. Leonardo Finger May 19, 2025
May 27. {1857} There is this great difference between Niagara and other wonders of the world, that is you get no idea from descriptions or even from paintings. Of the Mammoth Cave you have a conception from what you are told, of the Natural Bridge you get really a truthful impression from a picture. But Cave and Bridge are in still life, Niagara is all activity and change. No picture gives you the varying form of the water of the change of color; no description conveys to your mind the ceaseless roar. So too the ocean must be unrepresentable to those who have not looked upon it. Maria Mitchell would tour the Mammoth Cave and the Natural Bridge during her trip to the southern United States as Prudence Swift’s chaperone – I have written of these travels and Prudence before. Niagara Falls is a place she likely saw on her way to visit her younger sister Phebe Mitchell Kendall, who once lived with her husband in Pennsylvania. I was a bit surprised that she feels the way she does about the Cave and Bridge being well-represented by images but I do kind of se her point. But Niagara, the ocean, any moving body of water – she is right. You don’t fully comprehend it until you hear it, touch and taste it, see its colors, and feel it splash, sprinkle, or mist across your face. Niagara certainly mists across your face – sort of like a breezy day at the beach and the salt mist that slowly builds across your face and coats the beach grass so that it shimmers in the sunlight. JNLF
By Jascin N. Leonardo Finger May 12, 2025
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