Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • May 18, 2015

May 27. {1857} There is this great difference between Niagara and other wonders of the world, that is you get no idea from descriptions or even from paintings. Of the Mammoth Cave you have a conception from what you are told, of the Natural Bridge you get really a truthful impression from a picture. But Cave and Bridge are in still life, Niagara is all activity and change. No picture gives you the varying form of the water of the change of color; no description conveys to your mind the ceaseless roar. So too the ocean must be unrepresentable to those who have not looked upon it.

 

Maria Mitchell would tour the Mammoth Cave and the Natural Bridge during her trip to the southern United States as Prudence Swift’s chaperone – I have written of these travels and Prudence before. Niagara Falls is a place she likely saw on her way to visit her younger sister Phebe Mitchell Kendall, who once lived with her husband in Pennsylvania. I was a bit surprised that she feels the way she does about the Cave and Bridge being well-represented by images but I do kind of see her point. However, Niagara, the ocean, any moving body of water – she is right. You don’t fully comprehend it until you hear it, touch and taste it, see its colors, and feel it splash, sprinkle, or mist across your face. Niagara certainly mists across your face – sort of like a breezy day at the beach and the salt mist that slowly builds across your face and coats the beach grass so that it shimmers in the sunlight.


JNLF

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To me, Nantucket was always tumbledown fences. Covered in lichens, worn with wind and salt spray – grooved even – and a deep grey. Pieces broken, swinging in the wind as this broken one was with the 50mph gusts. Held together by vines – ivy or rambling climber vines, or honeysuckle. You do not see as many nowadays. This one is in town along a lane – possibly older than the house it wraps around as there was once a much older house there in the 1950s/1960s. Taken down to make room for this one – in a not so kosher manner – but that’s a story for another day. The lichens and mosses that grow on them, the vines that cover them, provide food and shade and coverage for a myriad of life – from the tiniest insects to small birds hiding from red-tailed hawks or even people and cats. Architecturally they speak of our past. While this one is very simple and not as old as others, it hearkens to a time in which cars were fewer, the island was quieter, and life was simpler. A fix was one picket not a whole fence. And some of the much. much older fences make me think of Maria Mitchell and her day when there were a lot of fences too – but not to keep people out or to create a “privacy screen.” They were there to keep animals in the yard – and more often to keep wandering animals OUT of the yard. JNLF
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