Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • December 15, 2014

Dec 16, 1870


Alfred Stone,


I have a lecture on the Seven Stars of the Great Bear, which I shall be pleased to give before your “Union.” I shall probably be in Boston from Dec 22 to Jan 3d and can come down to Providence in that time, or (what I should prefer) stop at Providence on my way to Po’keepsie, and Lecture Wednesday evening Jan 4.  I have never spoken to an audience of more than 400, and am therefore glad that your hall is a small one.


My charge to a Lyceum is $50. I charge $20 to a school, and should be glad to make some engagements in schools in and around Providence.


Maria Mitchell


My address after Dec. 21 is 81 Inman St., Cambridgeport, Mass.


Alfred Stone, a prominent architect of Providence, Rhode Island invited Maria to speak. Stone was well-known and a founding partner of his architecture firm. He designed the Providence Public Library, buildings at Brown University and the University of Rhode Island, as well as numerous private homes, in addition to quite a few other private and public buildings. Her Cambridgeport address for the school holidays was that of one of her younger sister, Phebe Mitchell Kendall, who lived in Cambridgeport with her husband Joshua and son, William Mitchell Kendall – a young man who would become an architect with McKim, Mead, and White (see an earlier post for more on WMK). Phebe Mitchell Kendall, like Maria, was a member of the Association for the Advancement of Women, serving as the head of the Dress Reform Committee at one point; was the first woman to serve on Cambridge’s School Board; and was an artist of quite some talent, once opening an art school on Nantucket.


JNLF

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With the help of Edward Pickering from Harvard, the MMA was able to develop a research program and realized that a photographic telescope would be necessary. Funds were raised and by November 1913, a 7.5-inch photographic telescope was installed. Using Maria Mitchell’s 5-inch Alvan Clark telescope as a guide for the larger photographic telescope, the photographic telescope had a lens from Thomas Cooke and Sons of York, England and a cast-iron pier, mount, and clockwork by Alvan Clark & Sons in Cambridge, MA. The pier, mount, and clockwork are still present in the MMO – the pier and mount still utilized but by a 17-inch research telescope purchased with a grant from the National Science Foundation. The glass plates taken of the night sky at the MMO total more than 8,000 and they are still utilized for research. They capture a moment in the night sky that can never be captured again – just like a regular photograph. In order to capture the image of the night sky, exposures could last for as long as three hours or more. Glass plates were heavily used for researching variable stars. They also afforded opportunities for new discoveries that could go unnoticed when one looked through a telescope by eye. Glass plates are gelatin-coated dry plate negatives that first came into use in the 1870s. They were utilized well into the late twentieth century particularly because they did not shrink or deform like plastic film. At the MMA, we continued to take glass plates of the night sky until 1995 when we had the opportunity and funding to update to a CCD camera – charge-coupled devices. While the CCDs provided many improvements, they still did not have the detecting area and resolution of glass plates. Technology continues to evolve, and the MMA with it, as we work with new methods to capture the night sky photographically. JNLF
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“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
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