Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • April 6, 2020

Dr. E. P. Miller’s

37, 39 West 26th Street

New York, Ap. 16 {1881}


My dear Matthew {Barney},


I am glad you are getting along decently well.  I am very much better than I was and begin to enjoy life again.  Lydia Dame is with me for a few days.  Anne you probably see; she left Thursday.  I enjoyed her visit very much . . . .


Yesterday (Good Friday) the city was packed and crammed and I suppose it will be on Sunday . . . .


Tomorrow (Sunday) Lydia expects to go to Trinity {Church}; probably she will have to stand.  After Easter has passed, I mean to buy Easter Eggs.  I suspect they will be cheap.  The streets are exceedingly pretty; some of the Easter cards are very pretty and the roses beautiful.  You pass thousands of them on Broadway.


Matthew Barney was the husband of Maria’s older sister, Sally Mitchell Barney, who died in 1876.  By this point, Matthew was remarried.  He is buried on Nantucket with his second wife and her family.  It is nice to see that they still remained close – he was, after all, her brother-in-law for thirty-eight years before Sally died – a death not unexpected as her health had been poorly much of her life.  Lydia Dame, was a daughter of Maria’s youngest sister, Eliza Katherine (Kate) Mitchell Dame and Anne is of course a younger sister of Maria’s.

What I find funny is Maria’s frugal nature coming out in her note about buying Easter candy AFTER Easter.  Such a Maria thing.  She was not poor by any means, leaving a decent estate to her family when she died in 1889.  But her Nantucket and Quaker-self shine through in this comment – as too does the over-crowding.   In this date of COVID-19, it immediately makes me think of “social distancing.”  Maria might find it amazing to see shots of what were once crowded areas of NYC and Boston –  all now empty because of this virus pandemic.


Maria was in NYC for the Easter parade – this was at its beginnings – and went on for decades though it began to fizzle out in the last decade or so.  If you have never seen “Easter Parade” with Fred Astaire and Judy Garland it really is a must no matter what your religious belief – it is not a religious-based movie and it has one of the best dance and song scenes in a musical – “A Couple of Swells” – (says this movie musical nut) and “Stepping Out With My Baby” is  fantastic – can’t go wrong with Irving Berlin!  And if you have never seen Anne Miller tap dance, this one is even more important to watch!


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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