Oftentimes, the focus is rarely made on this part of an object. But, in close-up detail it is quiet beautiful with its curves and undulations. The patina of time, cracks, and crazing is warm, even where the gilt has worn. This is the frame to the Herminia B. Dassel portrait of Maria Mitchell painted about 1851. Unfortunately, in the late 19th and early 20th centuries, people would “touch-up” gilt frames with gold radiator paint – yes, really. And this suffers from that. A Mitchell descendant likely did this but they did not necessarily realize back then the issues with what they did so you cannot blame them. The portrait was given to the Mitchell House in the early 1990s, coming to us from the estate of Sally Mitchell Barney’s granddaughter, Virginia Barney. Sally was Maria’s oldest sister.