Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • January 29, 2014

1857 Jan 22.


Hard winters are becoming the order of things. Winter before last was hard, last winter was harder and this surpasses all winters known before. We have been frozen in to our Island now since the 6th. No one said much about it for the first two or three days. The sleighing was good and all the world was out trying their horses on Main St. – the race-course of the world. Day after day passed and the thermometer sank to a lower point and the minds rose to a higher, and sleighing became uncomfortable and even the dullest man longed for the cheer of a newspaper. The Inquirer came out for a while, but at length had nothing to tell and nothing to Inquire about and so kept its peace . . . .


Inside the houses we amuse ourselves in various ways. Frank’s family and ours form a club, meeting three times a week and writing machine poetry in great quantities. Occasionally something very droll puts us in a roar of laughter. Frank, Ellen and Kate I think are rather the smartest, tho’ Mr. Macy has written rather the best of all.


Some things never change and Maria Mitchell and her family were confronted with a cold and snowy winter, rendering them – and the island – house-bound due to the bitter weather. Maria writes in her journal of the sitting room at the Pacific Bank − where the family lived on the second floor − not getting above forty degrees in the evening, though she implies this was fairly snug which helps you get a better feeling for what winter home interiors were like in those days. With constant clouds, Maria found that she could not observe but it seems she likely got to know her sister-in-law Ellen much better (Ellen married Francis “Frank” Macy Mitchell – younger brother of Maria in April 1853), as well as Mr. Macy – Alfred Macy – a lawyer and the head of the Coffin School for several years. Alfred would marry Anne Mitchell (younger sister of Maria) in May of 1857 – perhaps the confined quarters help to kindle the romance all the more!


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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