Maria Mitchell in Her Own Words

Jascin N. Leonardo Finger • August 10, 2020

I posted this seven years ago in 2013 (how is that possible – seven years?!) but I thought it was interesting to repeat –and it ties to the July entry about her return to see the Airys many years later.


August 17{1857}


Today we have been to the far-famed British museum. I carried as “open sesame” a paper given to me by Prof. Henry asking for me special attention from all societies with which the Smithsonian {is} connected . . . . The art of printing has brought us incalculable blessings, but as I looked at a neat manuscript book by Queen Elizabeth copied from another, as a present to her Father I could not help thinking that it was better than worsted work!


On August 2, 1857, Maria Mitchell and the young woman she was accompanying as a chaperone, Prudence Smith, arrived in Liverpool, England for their European tour. Maria Mitchell’s “open sesame” was a letter of introduction – she went with several. She would find that the doors were thrown open for America’s first woman astronomer – she was that well known in America and abroad. She would become quite close to Sir George Airy, the British Astronomer Royal, and his wife Richarda, as well as the astronomical Herschel family.


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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