Elusive No More

Jascin N. Leonardo Finger • November 15, 2021

We all know, I am not an ornithologist. I would liken myself to a very amateur birder. While I worked a great deal with my friend and mentor, Edith Andrews, over the years, particularly on her book, I still am TERRIBLE at shorebirds and warblers. Even harriers and hawks.


It’s funny. You work in a place for an incredibly long time – if you count starting at age twelve as a volunteer then I’m at thirty-six years – and you’ve seen every nook and cranny. But one. 


There has been one place that proved elusive to me because there was no reason for me to go there. This place is the little attic space above the Curator’s Cottage at the Mitchell House. This cottage was added to the House in the 1930s so that the curators would have a living space that included running water. They did actually sleep in the nineteenth century beds in the Mitchell House at night – oh, those were the days!



In any case, we needed to do some work at the Cottage and the contractor needed access to this particular space. There is a little panel that was cut out years ago and screwed back in place in a closet that provides access to this spot. But, with no need to look and pull it all apart, I have not. Until this moment. So, while he was up there – it’s a TIGHT entry and space, I asked him to take a photograph for me to add to the images of the House and tadah – it looks like the day it was created!


JNLF

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By Jascin N. Leonardo Finger May 11, 2026
A repost – with my apologies – from last year. It started budding the week of April 30 this year. This is what our landscaper for the MMA calls it. “The ancient vine.” He tells the people who work for him not to touch the “ancient vine.” I have probably made him – and all of them – terrified of it. I am even terrified of it to some degree. I refer to the grape vine behind the Mitchell House that is supposed to be Peleg Mitchell Junior’s grape vine – Maria Mitchell’s uncle who inhabited the house from about 1836 to his death in 1882. It has two trunks but one died several years ago. Because of that, each year I try to root shoots. It’s fairly easy to do – when you cut back the vine in late fall/early winter. I have had success but not success protecting the shoots I baby all winter from bunnies and other critters once I plant them – try as I might. I started doing this when the one trunk died – I was PANICKED! The landscaper stays away because I have told him if anyone is going to accidentally harm or worse yet, kill, this grape vine it would be me so I only have myself to blame. So each November/December – once ALL the leaves have fallen off – I climb my ladder and quietly, carefully, and fearfully cut back the stems typically to two buds. I have been somewhat successful in spurring grape production – and these grapes attract some amazing birds in the fall. It takes me some time – and I pretty much hyperventilate the entire time – and then, I stare at it all winter. Passing under it multiple times a day to reach my office. Hoping, and yes, praying, it will come out in the spring. It’s a late budder so just recently the buds started to show themselves – thank goodness! – and I was rewarded today (May 5, 2025) with this wonderful hot pink color on the edges of the leaves as they are uncurling. JNLF
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May 6, 1878 Between the clouds, Miss Spalding obtained 7 photographs of Mercury on the Sun. It is comfort to me to be able to plan and do a new kind of work. The large telescope worked better than usual, Clark having just been to the Observatory. Clark, as in Alvan Clark, a man who would become the premier telescope maker in America and who built Maria Mitchell’s 5-inch Alvan Clark refractor that she purchased from him (after working with him to build it per her specifications) with money gifted to her from “The Women of America” led by Elizabeth Peabody. More than likely, it is this telescope she is referring to as she did use it in the Vassar College Observatory with her students – and it is also taking center stage in photographs, along with her (first her father’s) Dolland telescope.  Maria had decided she would photograph the Sun on every clear day, and this was one of those results. She would use these images, with her students, to study sun spots and their changes. With her students, Maria would photograph the transit of Mercury as noted above. She would also photograph the transit of Venus a few years later with her students. JNLF
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And with it, some of the heirloom daffodils I purchased for the Mitchell House last fall. A place was recommended to me by two longtime friends of the MMA and gardeners extraordinaire. It is called Old House Gardens. I ordered a small amount as we now have a plethora of voles on Vestal Street – I believe I complained about them here last year. They won’t eat daffodils so I got a few of “Butter and Eggs” (1777) and “Conspicuus” (1869) as either of these could have appeared in William Mitchell’s gardens. They were not listed in a letter from John Quincy Adams that I have mentioned before. But, Adams was not here visiting the Mitchell family when the daffodils would have been in bloom. The one pictured here is “Butter and Eggs” not completely unfurled. JNLF
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