Miss Mitchell’s Students: Elizabeth Rebecca Coffin

Jascin N. Leonardo Finger • January 21, 2020

Standing under the canopy of the stars, you can scarcely do a petty deed or think a wicked thought.


Maria Mitchell’s influence reached far and wide and remained strong through many generations of not just her own students but the students of her students.  Her immediate galaxy was of course the women who took her astronomy and mathematics classes at Vassar College.  She instilled in her students a lifelong love of learning and the knowledge that as women, they had the power, strength, and knowledge to be the future of women scientists and educators in the world.  Some would go on to great accomplishments and some would go on to quietly influence other young learners of the world – spreading Maria’s legacy farther afield.


Over the next few blogs, I would like to share with you some of Maria Mitchell’s students.

The fifth, and final in this series, is:


Elizabeth Rebecca Coffin, 1850-1930

Image courtesy of the Coffin School Trustees

Born in Brooklyn, New York to Nantucket Quakers and reared in a Quaker household, Elizabeth or “Lizzie” attended Quaker schools.  She entered Vassar College and enrolled in Maria’s astronomy classes, becoming close to Maria and her father.  Nantucket was not the only connection for these three – they were also distant cousins.  Lizzie was a classmate and became a good friend of Mary Whitney.  When she graduated from Vassar in 1870, she furthered her schooling in the 1870s at the Royal Academy of Art in The Hague where she was among the first women to be accepted.  Several tours through Europe with family, tutelage under many fine artists of the nineteenth century, and friendships with the artist Thomas Eakins, William Merritt Chase, and others provided Coffin schooling in the arts.  Through her membership in the Art Students League of New York, the Brooklyn Art Club, and the Brooklyn Art Guild, of which she was president, Lizzie became acquainted with artists from around the world.  Her connections, her schooling, and her talent led to participation in major exhibitions throughout the country.


Lizzie made frequent trips to Nantucket, until she built a house on Lily Street in 1900.  She returned to New York often, but preferred to call Nantucket her home.  Eakins was among many artists who would visit her on Nantucket.  During the extended visits, Lizzie continued to paint but also took on many new activities, particularly in support of the island and its people. 

 She was active in founding the Nantucket Maria Mitchell Association, as well as the Goldenrod Literary and Debating Society (a group for island girls), the brainchild of Sara Winthrop Smith.  Perhaps because of Lizzie’s friendship with Smith and her close friend Gertrude King (teacher and principal at the Coffin School), and her family ties to the school, she was instrumental in putting the Coffin School back on its feet.  The school had closed in 1898 due to lack of funds and a dwindling student population.  Coffin’s efforts to redevelop the school as a center for manual-training courses in conjunction with the public schools was what helped to revive it.  With the founding of the Coffin School Association and with the help and support of the Coffin School Trustees, Lizzie’s dream was realized and the school reopened in 1903.



Her work on behalf of the school greatly increased its endowment, and she was influential in establishing the home economics program for Nantucket girls.  Lizzie’s Vassar College schoolmate, Ellen Swallow Richards, was a champion of the home economics movement in schools and partially funded the program on Nantucket.  Ironically, although Lizzie continued to paint, she was better known to islanders as a champion of island causes than as an artist.  Today, many of her works are in the collection of the Coffin School Trustees.


JNLF

Recent Posts

By Jascin N. Leonardo Finger December 9, 2025
Another re-blog. I came across this recently while looking through my computer files. I want to re-blog it in memory of Jean Hughes, an incredibly gifted islander, who was directly influential in the lives of so many island children and those in need. She was the Coffin School Trustee’s President for many years and I had the honor to serve as a trustee under her. She passed away in the summer of 2025. Jeanie loaned me this from her family collections as she thought I would enjoy it. She knew me better than I thought she did. With love. 1830s Chinese silk to be exact. It literally floated into my lap as I sat reading a letter.  A letter from a young Nantucket girl to her grandparents. A young girl who just several years before had moved from tiny Nantucket Island to San Francisco with her mother to join her father. He had moved for better work and a better life. Nantucket was in an economic decline. Reading this treasure trove of letters – loaned to me by a friend who is a descendant of these people I mention – was like spying on them. Now, when I read Mitchell family letters and writing it is slightly different for me. Having worked in the Mitchell House for so long, I feel like they are a part of my family. This batch of letters was different however. I felt like they know I read their letters – as if they were looking over my shoulder or sitting on the other side of the room aghast. I felt like they thought no one ever would – or at the very least an outsider – read this correspondence. The worse letter one was the son writing to his mother upon receipt of her letter telling him of his father’s death. That was hard. Made harder because he thought his father was fine – he was as of the last letter a month or two before. Made harder as I lost my own Father a little over a year ago. I knew how he felt – but cannot imagine receiving a letter that is about a month old telling one of such horrible news. He had not seen his father in several years. I could speak to my Father, visited him monthly, and was there with him. That was not an easy letter to read. The silk fabric piece is quite beautiful – and still pristine – as if it was just folded into the letter yesterday. She wanted to share with her grandparents the dress that her cousin had brought to her directly from Hong Kong. A cousin, who was likely pregnant – or “sick” as was written but it was obvious what “sick” meant (yes, pregnancy was looked at as an illness in a way – and there were high rates of infant and mother mortality during and immediately following birth). The cousin had travelled back and forth to Hong Kong on the China Trade with her husband it seems but due to the pregnancy had to be put off with family or others until the baby was born. This was a common practice for the wives of whale captains who might go to sea with their husbands. They were put off with other whaling families or missionaries in far off ports so that they could have their baby where others could help. Sometimes they were put off months in advance. And, did you know that Nantucket whale wives were the FIRST to go to sea with their captains husbands? They set the trend – after all, we were the whaling capital of the world. At least, until we lost that title for multiple reasons. I digress. The other piece that leads one to realize that money was to be had – at least for the cousin – is that she didn’t bring fabric – she brought the dress already made in Hong Kong. Yes, it would have been less costly there than in the United States but it shows there was extra money for spending. And, there was enough excess fabric inside the dress for this young girl to cut off a piece of it and send it to her grandparents. Making them feel as if they were a part of her daily life – and making her feel that way too. So far from home. On the other side of the continent with Nantucket Sound in the midst, to boot. JNLF
December 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
By Jascin N. Leonardo Finger December 1, 2025
A past blog that I forgot I had written when I came across the letter written about below. Once I realized I had already written a blog about it, I decided it was worth re-blogging. Over Christmas, a neighbor of my Mother’s gave her a copy of something she came across while cleaning things up in her house. She thought my Mother would enjoy it and by the same token, my Mother thought that I would. Her note with it stated it proved she was as, “old as dirt.” She isn’t old as dirt. Believe me. The letter she had copied was from the War Production Board and dated December 16, 1942. It was, “written at the request of President Roosevelt,” who wanted to thank this young girl for her donation of a rubber tire. This was not any old rubber tire you see. It was a pure rubber tire – very much needed for the war effort – from one of her toy airplanes and measured not more than half an inch or so in diameter. This young girl was distressed that everyone else, including in her family, was assisting in the war effort and that she wasn’t. So when she discovered the tire was rubber, she asked her mother to send it to Washington, DC. Which, obviously, her mother did do. What does this have to do with Maria Mitchell you wonder? Well, it makes me think of collections and saving things. You have your own collections and archives at home – your family papers and photographs, your books (aka special collection books). These are valuable to your family and its history. They help you see what and who came before you and how your family became a family. What they endured. How they got to where they did and how where they came from helped, in part, to get you to where you are today. And then, these papers and books are important for the larger community. We learn from our past and our collective past – and these items help us do that. Scores of researchers use Maria Mitchell’s papers and those of her family every year. Not everyone is doing research on the family – they can be doing research on astronomy or some science-related matter, someone whom Maria or her family knew. The possibilities are endless. So, from this little letter, I know a young girl in Connecticut contributed to the war effort and what she gave. I know that rubber (not that I didn’t already but you get the idea) was important to the war effort in some way. I also know that many people contributed to the war effort and this was just one simple way to do it. I know she had a toy that had rubber components. And as a young girl in 1942, she was playing with toy airplanes. And I know that the war effort was all consuming to the point that a small child wanted to make sure she found a way to help too while seeing her family members helping. Your paper is important. Always find a venue for these items if you no longer want them. They will help us to better understand our world – past and present. JNLF P.S. Remember that every donation, every gift to someone in need, matters. No matter how small it is – or you think it is.
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