Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • April 22, 2013

Maria Mitchell, ca. 1865


Charleston April 23. This place has a look of a city somewhat like Boston in its narrow streets but unlike Boston in being quiet as is all the south . . . . We left Savannah at about 6 p.m. and in nine hours were at the wharf of Charleston . . . .


The reading” matter of different parts of the country differs widely. Peculiarities force themselves upon you. At the west, maps of Kansas and Nebraska thrust before your eyes everywhere. At the South Miss Murrays letters are in every book store, tho’ you may ask in vain for Mrs. Browning’s poems. But everywhere Boston and New York are the standards of excellence. Boston seems to me more talked of at the South than New York. It was evidently the admiration of the South for its education and the horror for its irreligion . . . .


April 28. Charleston. Nothing can exceed the hospitality shown to us. We have several invitations each day and calls without much limit . . . .


April 29 . . . . Charleston is full of ante-revolution houses and they please me. They were built when there was no hurry. They were built to last. They have lasted and they will last yet for the children if their present possessors . . .


Maria Mitchell traveled into the American South and West in 1857 as a young woman’s chaperone and governess. Prudence Smith was her charge and they also travelled to Europe in 1857 and 1858 – the American tour being the first leg of their two year plan. I include this snippet from Maria’s journals in part because of her mention of the homes in Charleston. It coincides nicely with the fact that we just completed re-shingling the southern façade of Mitchell house on April 12th. And, I like her comments about Boston and New York and her quest for Elizabeth Barrett Browning’s poetry. While these are light, she would later make more strongly worded negative comments about the South.


JNLF

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By Jascin N. Leonardo Finger June 30, 2025
As we are now complete with the conservation of the historic Maria Mitchell Vestal Street Observatory (MMO), I thought it would be good to post a series of blogs concerning it history and activities, as well as some of the amazing people who have made it what it is over the last 100 plus years. Therefore, over the next few weeks, the focus will be on the MMO. And it is now open for tours – Monday through Saturday 11-1PM. Founded in 1902, the Nantucket Maria Mitchell Association (MMA) had its beginnings in the Mitchell House where Maria Mitchell was born. Over the first few years, the preservation of the Mitchell House, family artifacts, and the collection and display of Nantucket’s native flora and fauna, as well as a small library, were the key components of the MMA. Special “Moon Evenings” were held on the lawn and people observed Nantucket’s night skies using several small telescopes, including William and Maria Mitchell’s two-and-three-quarter-inch Dollond telescope. The popular evenings led to the inevitable – a desire and need to expand based on the demands of the visitors to, and members of, the MMA. In 1906, Lydia Hinchman, a founder of the MMA and a family member, purchased the house and lot adjacent to the Mitchell House. The house – once the home of William Mitchell’s father and mother – was taken down. The MMA began a dialogue with the Harvard College Observatory and its director, Edward Pickering, Ph.D. The connection to Harvard was to become essential to the success of the beginning years of the Maria Mitchell Observatory and continued a legacy of friendship and work – Maria Mitchell and her father worked with the Bonds who once ran the observatory at Harvard and the families were close friends. Besides his assistance, Pickering asked a member of his staff, Annie Jump Cannon, to assist the MMA. This “provided an indispensable collaboration for Nantucket astronomy,” with Cannon spending two weeks on the island in 1906 and 1907 lecturing and teaching. While back at Harvard, she continued to teach the students on Nantucket by mail. Cannon would go on to be recognized as the leading woman astronomer of her generation and as the founder of the MMA’s Astronomy Department. JNLF
By Jascin N. Leonardo Finger June 23, 2025
An older term, that we seem to not use that much anymore but maybe that’s in part because not many people “put things by” anymore. It is having a bit of a resurgence as people try to return to the garden and focus on local produce. My in-laws used to spend a lot of time – before I knew them – canning and preserving many different things – from jellies to string beans that became “dilly beans.” I, on the other hand, do not can produce. Frankly, I fear messing up the process and making my family sick. So, for now, I stick to making refrigerator jams and pickles. I have made some chive vinegar – that is frankly, amazing, and a brilliant shade of pink! But in any case, Bartlett’s Farm opened for pick-your-own strawberries on June 7 and I made my way over on June 8. My son has been asking for strawberry jam since about February – I told him I wait for fresh and local but he wanted some so badly he was begging for store bought. I almost caved but then I told him – out of season and they taste like cardboard – and also made a LONG journey to get to us. Once people ate with the seasons – now we do not have to with trains, planes, and ships crossing all over. It is also, why, oftentimes, fruit has no flavor. Produce is picked often before it ripens and “ripens” as it ships – or with sprays – and since many varieties have been crossed with others or engineered, we have lost the taste. I remember tasting a peach a few years back from North Carolina – fresh off the tree. After rubbing it to get all the “fur” off, I bit into an exquisite peach that tasted like a peach of my youth. So, Maria was not eating a strawberry in January but she was eating them in June – local and full of flavor. And likely, putting some by as well. JNLF
By Jascin N. Leonardo Finger June 16, 2025
June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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