Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • April 22, 2013

Maria Mitchell, ca. 1865


Charleston April 23. This place has a look of a city somewhat like Boston in its narrow streets but unlike Boston in being quiet as is all the south . . . . We left Savannah at about 6 p.m. and in nine hours were at the wharf of Charleston . . . .


The reading” matter of different parts of the country differs widely. Peculiarities force themselves upon you. At the west, maps of Kansas and Nebraska thrust before your eyes everywhere. At the South Miss Murrays letters are in every book store, tho’ you may ask in vain for Mrs. Browning’s poems. But everywhere Boston and New York are the standards of excellence. Boston seems to me more talked of at the South than New York. It was evidently the admiration of the South for its education and the horror for its irreligion . . . .


April 28. Charleston. Nothing can exceed the hospitality shown to us. We have several invitations each day and calls without much limit . . . .


April 29 . . . . Charleston is full of ante-revolution houses and they please me. They were built when there was no hurry. They were built to last. They have lasted and they will last yet for the children if their present possessors . . .


Maria Mitchell traveled into the American South and West in 1857 as a young woman’s chaperone and governess. Prudence Smith was her charge and they also travelled to Europe in 1857 and 1858 – the American tour being the first leg of their two year plan. I include this snippet from Maria’s journals in part because of her mention of the homes in Charleston. It coincides nicely with the fact that we just completed re-shingling the southern façade of Mitchell house on April 12th. And, I like her comments about Boston and New York and her quest for Elizabeth Barrett Browning’s poetry. While these are light, she would later make more strongly worded negative comments about the South.


JNLF

Recent Posts

By Jascin N. Leonardo Finger August 11, 2025
After many years on the making, we are happy to officially announce the re-opening of the Maria Mitchell Vestal Street Observatory – also fondly referred to as the MMO. As you may have seen on the Maria Mitchell’s Attic bog, this has truly been more than a multi-year labor of love. Way back in 2016, we began the first steps with a structural assessment by structural engineer, John Wathne of Structures-North. That, coupled with an earlier Conservation Assessment Program grant from Heritage Preservation and supported by the Institute for Museum and Library Services that allowed the MMA to hire architectural conservator, Michael Devonshire, began us on our path to conserve the historic MMO. Grants from the Community Preservation Act and the M. S. Worthington Foundation supported the conservation work on the 1908 Observatory and its 1922 Astronomical Study. Masonry and grout were repaired, rusted iron lintels over windows and doors were replaced with steel and work was completed to the “parapets.” This sounds simple – it was not – it was a multi- year project to work with the masonry and to create a matching grout. Wayne Morris, the mason, became a fixture on Vestal Street again – as he did all the masonry conservation and work on the exterior of the Research Center. Once the MMO’s exterior was weather tight and the interior masonry work completed, the rest of the crew moved in to conserve the plaster, re-paint, and conserve the original 1922 bookcases and woodwork in the Study. Paint was removed from the dome bringing it back to its original glory. Cement floors were cleaned and treated and electrical wiring was updated and new lighting put in the Study. A major renovation was also conducted concerning the “Seminar Room” – a 1987 addition to the west of the MMO – which was completed in 2024. This was funded in large part by Mitchell family descendant and former (now honorary) MMA Board Member, Richard Wolfe. New office spaces were created for astronomy staff, updates were made to the astronomy intern workspace and meeting space, and a new accessible bathroom was completed. We also owe a huge debt of gratitude to two other board members in this work, particularly with the Seminar Room – Elizabeth Markel and John Wise. We would like to thank everyone for their roles in making this long journey a success and for doing all of this important work. Thank you does not express it well enough – they have truly all been heroes of the MMO. We are beyond grateful. THANK YOU and WOW it all looks incredible! Wayne Morris, Mason John Wathne, Structures-North Consulting Engineers Wise Construction – John Wise, Pat Marks, “Chip” and Crew Elizabeth Markel, Elizabeth Markel Interiors Ellis and Schneider Electrical Benjamin Normand, Normand Residential Design W. B. Marden Plumbing, Robert and henry Butler, Mike Gillies, and Derek Kevin Wiggin and Crew, KW HVAC INC Pen Austin, plasterer Evita Caune, Riptide Finishes Brian Connor and Crew, Brian Connor Electric Inc. Adam Zanelli and Crew, Nantucket Heritage Painting Michael Devonshire James Lydon and Sons and Daughter Michael Stefanski, Seed to Stone Landscaping Matthew Anderson and Maxx Ray Michael Gault Pioneer Cleaning Brook Meerbergen, M.A. Supply / Green Mountain Window Co. Nantucket Networks Polygon Group JNLF
By Jascin N. Leonardo Finger August 4, 2025
With the help of Edward Pickering from Harvard, the MMA was able to develop a research program and realized that a photographic telescope would be necessary. Funds were raised and by November 1913, a 7.5-inch photographic telescope was installed. Using Maria Mitchell’s 5-inch Alvan Clark telescope as a guide for the larger photographic telescope, the photographic telescope had a lens from Thomas Cooke and Sons of York, England and a cast-iron pier, mount, and clockwork by Alvan Clark & Sons in Cambridge, MA. The pier, mount, and clockwork are still present in the MMO – the pier and mount still utilized but by a 17-inch research telescope purchased with a grant from the National Science Foundation. The glass plates taken of the night sky at the MMO total more than 8,000 and they are still utilized for research. They capture a moment in the night sky that can never be captured again – just like a regular photograph. In order to capture the image of the night sky, exposures could last for as long as three hours or more. Glass plates were heavily used for researching variable stars. They also afforded opportunities for new discoveries that could go unnoticed when one looked through a telescope by eye. Glass plates are gelatin-coated dry plate negatives that first came into use in the 1870s. They were utilized well into the late twentieth century particularly because they did not shrink or deform like plastic film. At the MMA, we continued to take glass plates of the night sky until 1995 when we had the opportunity and funding to update to a CCD camera – charge-coupled devices. While the CCDs provided many improvements, they still did not have the detecting area and resolution of glass plates. Technology continues to evolve, and the MMA with it, as we work with new methods to capture the night sky photographically. JNLF
August 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
Show More