Collecting Addiction

Jascin N. Leonardo Finger • March 18, 2013

I must confess, I have an addiction.


I like to...


...collect.


Not so surprising for a historic house museum curator. My “addiction” encompasses several specific areas. I am not a hoarder, I do not collect junk in my backyard and the basement is not filled with “things.” Some people might find what I collect useless, but sometimes the simple everyday item, from a nail to an old railroad spike, intrigues me for its simplicity and its beauty.


If you know me, or if you have read the “Portrait of the Curator as Darth Vader” entry for this blog, then you realize that I don’t preen in front of the mirror. Given the fact that mostly just the books and archives see me all winter, my hair typically looks like it needs a good combing (since I am pulling goggles and respirator on and off all day) unless I have a meeting or I am out in public.

But I do have a thing for a good “kitchen” mirror. Typically a mirror of the mid to late 19th century, it is rectangular in shape with rounded corners and hopefully some nice grain painting on the wood frame. Oftentimes, you will find crazing in the glass and black marks or missing “mirrored” areas caused by the loss of the silver painted onto the back of the glass. I like these mirrors for the simpler time they speak of and for the simplicity of their style, but also for their patina of time. In the Mitchell House, we have a mirror of a similar age and shape used by Peleg Mitchell Jr. for shaving.

 

Enamel is another fascination of mine. Enamelware could be found throughout kitchens in many parts of the world. Enamelware took off in popularity in the United States in the latter half of the nineteenth century – all shapes and sizes, all sorts of domestic uses from slotted spoons to cups, pitchers, strainers, plates, or basins. Think of it as 19th century Tupperware and the child of tinware. You might even be familiar with the enamel numbers for homes or streets. Enamelware can be plain, mottled, or marbled – the marbled being much harder to find and thus more prized. In my collection, I have one cup that was once part of a four piece set that belonged to my grandmother’s family. They used it when they went camping. I guess when family camping stopped, the cups got used for other purposes until only one was left. This one had become a birdseed scoop until it was given to me by my Mother who knows of my enamelware fetish. But even as a scoop, it was still being used and thus memories of family camping persisted and memories of those who used it were an everyday thought. Now on the top of an old jelly cupboard, it is still a daily memory of my grandmother, her parents, and her brother as I see it each day in the kitchen.


Depression-era glass (Depression Glass), 18th and 19th century pottery shards – yes, I have been known to dig in dirt piles – old bottles that I have unearthed in same named piles or at the ̓Sconset dump, seaglass, and historic postcards specifically of the Mitchell House are also some things I collect. (When my husband found out the price I paid for a vintage postcard of Mitchell House on eBay, I thought he would faint.) I also collect other images of Mitchell House, such as paintings and old photographs – I myself am a photographer of historic architecture with a focus on forgotten buildings especially those facing demolition by neglect – and McCoy wear. Since I am also a gardener, one can never have too many pots for plants and McCoy made many styles of pots including those with attached saucers! And then, I also love a good mid to late 19th century simple wood chair...



All of these items are used in a myriad of ways and continue to function as they were meant to be used or in new ways. Each item has some personal memory for me or my family depending on whether it was something I found while on a walk along the beach, digging in the dump, or a shop in New Orleans or something that belonged to my grandmother, great-grandmother, or a great-great aunt. These pieces connect us to the past and connect us to family members who may not be with us any more – but they are with us each time you use that cup or look into that mirror, they are there and you think of them. The past and the people of the past continue to live on.


JNLF

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By Jascin N. Leonardo Finger January 5, 2026
As Walt Whitman once wrote, “Peace is always beautiful.” Peace can mean many different things. I have used this Whitman quote above before – my Father loved Whitman. And when I quote Whitman, it makes me feel like my Father is here. Maria and her father, William, were close. In fact, even with a large family of twelve people, the Mitchells were all close. My family is close as well, though we have our moments as most, if not all, families do. As we bring to a close another difficult year in which the world and its people continue to struggle, take a moment to be thankful and to find and give peace. May you always find peace in yourself and peace with others. May our world become more peaceful and may we all learn that this small space we inhabit is shared and meant for everyone. In the echoes of one of my favorite Maria Mitchell quotes, your small step, your small gesture to another or towards helping something happen, can make a difference – more than you think. I’ll end with another quote – and a poem I have used the last few years – that is fitting and that also reminds me of another Whitman poem. JNLF In Memoriam, [Ring out, wild bells] Alfred, Lord Tennyson - 1809-1892  Ring out, wild bells, to the wild sky, The flying cloud, the frosty light: The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care, the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes But ring the fuller minstrel in. Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease; Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace. Ring in the valiant man and free, The larger heart, the kindlier hand; Ring out the darkness of the land, Ring in the Christ that is to be.
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“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
December 30, 2025
NANTUCKET, MA—The Maria Mitchell Association (MMA) is pleased to announce two significant milestones in its ongoing Capital Campaign: the acquisition of three properties adjacent to its historic campus, and the appointment of Workshop/APD as the architectural firm leading the design of its future facilities. After more than two years of discussion and planning, the MMA has acquired the Noyes family property, which includes 27 and 25R Washington Street and 10 Coffin Street, for $2.5 million. This acquisition secures critical land and housing that will play a vital role in advancing the Association’s long-term campus plan and mission-driven growth. “This is a game-changing moment for the Maria Mitchell Association and for Nantucket,” said Joanna Roche, Executive Director, Maria Mitchell Association. “The acquisition allows us to thoughtfully expand our campus while deepening our ability to serve the community through science, history, and education.” The acquisition also carries deep historical significance. The Noyes family’s relationship with the Maria Mitchell Association dates to the 1980s, when Robert Noyes served as President of the Board and volunteered extensively on behalf of the organization. The partnership represents a meaningful legacy and a full-circle moment for both the family and the Association. In addition, the Maria Mitchell Association has selected Andrew Kotchen, Michael Luft-Weissberg and the Workshop/APD team to serve as architects for the project. Workshop/APD is a nationally recognized architecture firm with more than 25 years of experience working on Nantucket. Known for its thoughtful, context-sensitive design, the firm brings a deep understanding of the island’s architectural heritage and environmental landscape. “I am truly excited to create this lasting legacy to Maria Mitchell and to this community,” said Andrew Kotchen, founding principal of Workshop/APD. “This project offers a unique opportunity to provide a view into the nature and science of this island while honoring its history and sense of place.” With the property acquisition complete and Workshop/APD in place, the Maria Mitchell Association is prepared to advance into the next phase of the project. Engineering will be led by Nantucket Surveyors, construction oversight by Board Vice President John Wise, and architectural design by Workshop/APD. Over the coming months, the MMA will finalize campus plans incorporating the newly acquired properties, complete updated surveys, and begin the permitting process. Founded in 1902, the Maria Mitchell Association is dedicated to the legacy of astronomer Maria Mitchell Founded in 1902, the Maria Mitchell Association is dedicated to the legacy of astronomer Maria Mitchell through education, research, and preservation in astronomy, natural sciences, and history. The Association’s programs serve thousands of learners annually and inspire curiosity, scientific inquiry, and stewardship of Nantucket’s unique environment. For more information about the Capital Campaign and the future of the Maria Mitchell Association, visit www.mariamitchell.org . ###
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