Awakening the Mitchell House

Jascin N. Leonardo Finger • June 10, 2012

Unlike a teenager who is terrible about being rousted out of bed, the Mitchell House happily stretches, takes a shower, eats her breakfast, and begins her day. That said, she has to take a supremely long shower in order to make sure she is in tip-top condition for presenting herself to the public.


About five months ago in this blog, I briefly detailed buttoning up the House for the winter and the sadness it always brings for me.

Opening the House however is a whole different thing emotionally because even though the cleaning is again intensive – removing mildew from the front sitting room ceiling (my neck gets a work out!), vacuuming high and low, dusting everything, washing the floors, washing all the sheets that were covering everything, moving all the furniture back into place, putting out all the artifacts, bringing back the fine art, cleaning out the garden and planting, working on administrative tasks that need to be completed for opening, and training one summer intern who arrives in late May or early June (tired yet?!) – the House looks like a home again and everything is in its place, and all is right with the Mitchell House world. Classes begin, workshops are led, and visitors come for their first visit or their twentieth visits to see what’s new.


And there is always something new to share at Mitchell House and there is always a conservation or preservation project that took place while the House was buttoned up or is currently in progress. This spring, we completed the painting of the southern façade’s sashes – thank you Jim Tyler and Crew and to the Community Preservation Act for the funding – and the UV filters on the southern façade’s sashes were also replaced – thank you warranties and New England Sun Control! The front of the House – the southern façade – takes a beating and even the UV are no match for that sun after ten years so they were replaced. And we completed some further mending of the 1790 chimney – thanks to Pen Austin our mason!


The House is a happier, less depressing looking place once it is open. The piles of sheets are folded and put away for a few months (only about eight loads − I tell you, I do everything at work that I do at home just on a more intensive and careful level!), the garden is in full bloom with foxgloves abounding, and we are ready for a productive summer of classes, visitors, research, and conservation projects. So please, do stop by – whether it is your first time or your twentieth – and we will show you just what makes Mitchell House so special and what we have completed and learned over the course of another winter!


JNLF

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By Jascin N. Leonardo Finger November 10, 2025
A re-blog from years past. The item you see here is a small piece of what once was. Upon her visit to Europe as a young woman’s chaperone in 1857 –1858, Maria Mitchell visited many of the major observatories of Europe and met many of the movers and shakers in the scientific, art, and literary worlds of the continent. While Caroline Herschel (1750 – 1848) and her brother, Sir William (1738 – 1822), were long dead, Maria was able to meet Caroline’s nephew (William’s son), Sir John Herschel (1792 – 1871). All three were astronomers, though Caroline found herself having to give credit – or have her brother accept credit – for much of her work because she was a woman. She has often been credited with the being the first woman to discover a comet. She was likely not – and the other woman who was the first lost credit through history as she had to “give” her comet discovery to her husband. See a pattern? Caroline was just one of many women in a long line of, “She couldn’t possibly do that – she is a woman!” As Maria once said, “But a woman, what more could you ask to be?” But back to this small item. It was a page from one of Caroline Herschel’s notebook’s, torn from its home by John Herschel to serve a s a memento for Maria of her visit to the family’s home. Maria was a bit shocked but . . . she took it! Over the years, the paper tore and ripped and just crumbled away until Maria finally decided that to save it, she needed to past it into one of her own journals. And thus, we have what we have. I assume Caroline’s notations refer to her brother William – “Wol” and Woll.” It could be an “I” but it really looks like an “O.” She is considered the world’s first professional woman astronomer – she would be compensated for her work after some time – and she warrants a greater look at – too much for a blog. So I encourage you to go take a look at her. Maria would want you to! JNLF
By Jascin N. Leonardo Finger November 3, 2025
I am not so sure our founders would love that title but the image is of the Maria Mitchell Vestal Street Observatory (MMO) “from the rear.” I love this image as it is really the only one we have – unless you count the one that is taken from farther away and from further into the backyard of the Mitchell House. That one allows you to see the natural slope of the Mitchell House back lawn which would be altered when they added the Curator’s Cottage. Both of the images were taken before the Curator’s Cottage was added at the back of the Mitchell House in the early 1930s – and this one you see here was taken before 1922 when they added the Astronomical Study onto the MMO. It also shows the original dome – which was copper – before it was replaced in 1951 – which is the current dome. The copper did not hold up to our climate here – salt spray, damp, fog. But the new one, shipped over from England, has held up well. The current dome was donated by Margaret Underwood Davis (MMA board president at the time), in memory of her son, Cushing Davis who was an amateur astronomer. Margaret Davis served as president from 1930-1946 and again from 1949-1953. The image tells you some other things too. For instance, the grape arbor behind the Mitchell House is supposed to be Peleg Mitchell’s (Maria’s uncle) grape vine – I have blogged about it several times before – and you can see it in this image. You can also see how the Milk Room connects to the 1850s kitchen. The 1850s kitchen was added by Peleg Mitchell Jr and it’s the first little wart you see with the white pipe attached. The next wart is the Milk Room – also added by Peleg – it’s the one with the shutters on the window. Both still exist it’s just the Curator’s Cottage was attached in the 1930s. You will see another chimney too. It appears alongside the white pipe. That is likely the original chimney to what is now the Astronomer’s Cottage at the MMA. We acquired the Cottage in the 1920s but I believe all of the additions, and the removal of the chimney, were done before we were given it.  Fun! JNLF
November 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
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