Trash?

Jascin N. Leonardo Finger • April 1, 2013

Here you see the fruits of a Sunday walk along the harbor – another of my favorite things to collect. The recent storms have swept some areas clean and in others, they have helped to deposit treasures stirred up from the bottom of Nantucket Harbor – something that once served as a dumping ground among other uses in the nineteenth century and earlier.


These are pottery shards of various ages. Looking at them closely, they are mid to late nineteenth century (the blue and white pieces – in particular the lighter blue pieces) and possibly all the way up to the 1930s or so with the largest piece on the bottom right having a floral and bamboo/basket decoration that reminds me of McCoy ware. I will have to see if I can find any such pattern with them – it could very likely be another pottery maker, from the early to mid- twentieth century but maybe even the late nineteenth century!

But in any case, it tells a story of what Nantucketers used in their homes. Each time we have a hard rain, shards will appear in the yard of the Mitchell House where the family tossed out some of its trash that slowly became a part of the landscape and the earth. When a sewer pipe was re-done the plumber left the shards that he had found for me – I think he knows me too well! (The family has worked on MMA plumbing since the MMA had running water – early 1900s.)


One piece reminds me of mochaware but I think it might be a much later copy though I do hope I am just being cautious and this really is a 19th century shard of mochaware. That too I will have to investigate. Mochaware was started in the late 1700s in England and was just about the cheapest pottery one could get then and into the nineteenth century. Maybe akin to Fiestaware which while many collect it today used to be given out at the grocery store and the movies!


In any event, take a look around you. Look down and up – observe! (“We see most when we are most determined to see,” according to Maria – how right she was!) You never know what your feet are treading over and you never know what you might find – it might whisper something about those who once lived in the houses and neighborhoods we now inhabit.


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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