Stalking The Wild-Eyed Curator

Jascin N. Leonardo Finger • September 3, 2013

I realized after I took this “selfie” (oh, what will they think of us in 200 years?), that my eyes were a little wild and crazed looking. Perhaps a bit of stress as I took a look at the 6 remaining shelves of bound and unbound periodicals that date back to the very late 19th century and all the way through the early 21st century! Astronomy, observatories, natural science, birds, plants. You name it, the MMA has subscribed to it or been gifted these periodicals for over 100 years. The Education interns very nicely helped me over the course of perhaps 12 hours, emptying all the outside wall shelves. Now, I have the ones in the middle. Pull from the shelves, box, label, carry up the stairs and carry into the other basement.


Why am I doing all of this? Because the conservation work on the exterior of the Library will begin soon. It is being funded – about $250,000.00 worth – by the Community Preservation Act, a grant I applied for on behalf of the MMA last fall. Happily, the Community Preservation Committee (Thank you, CPC!) funded the entire exterior conservation work and we hope to start with the roof in a few weeks. Then the mason will come and this will require cutting into the building to make the repairs thus, everything has to come out. The Special Collections have all been cleaned and moved to a climate controlled space – also funded by a grant. And now, it’s time for the periodicals or journals as we more commonly refer to them. Once moved, I will spend the winter going through them to make sure there is nothing stuck in them (ephemera) and that people have not written anything (important notes, etc.) in the margins. We will be keeping some, but there are others that will likely find a new home with other institutions. If there are articles in any of them by or about MMA or Nantucket, they will be kept. And the few that date to the nineteenth century, we will keep in the Special Collection as I believe these to be family items.


P.S. Please note that while I am wearing a Vassar t-shirt (in honor of Maria and the MMA-Vassar connections of past and present), I am a proud Mt. Holyoke graduate! I would never be forgiven if I did not note that!


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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