Opera about Maria Mitchell Wins Pellicciotti Composition Prize

Erin Holdgate • November 1, 2022

Nantucket, MA – SUNY Potsdam’s Crane School of Music in New York is proud to announce the winner of the third Domenic J. Pellicciotti Opera Composition Prize, following the recent competition finals.

 

Composer Timothy C. Takach and librettist Caitlin Vincent were selected as the recipients of the 2024 Pellicciotti Prize for their new opera, “Computing Venus.” The opera, still being written, provides a fascinating glimpse into the life of astronomer Maria Mitchell, a ground-breaking historical figure who paved the way for women in STEM in the nineteenth century. The opera follows Mitchell’s efforts to cultivate the next generation of women astronomers, even as growing movements threatened to close the world of science to women forever. 

 

“We are so fortunate that our students have the opportunity to bring Maria Mitchell’s story to life on the stage,” said Dr. William Gibbons, dean of The Crane School. “Timothy C. Takach and Caitlin Vincent are creating a powerful work that speaks to issues women around the world face every day, and collaborating on this world premiere is an experience our students, faculty and community will never forget.”

 

Takach and Vincent will receive a $25,000 commission to complete the new work, which will premiere in Fall 2024, with a full production at The Crane School of Music by the award-winning Crane Opera Ensemble and Orchestra.

 

The Domenic J. Pellicciotti Opera Composition Prize was founded by Dr. Gary C. Jaquay ’67 to honor his life partner, Domenic J. Pellicciotti, an ardent fan of opera. The award seeks to encourage and acknowledge the creation of new opera works that explore themes related to tolerance, inclusion, or the celebration of diversity. The Pellicciotti Prize is awarded every four years.

 

“This competition has been an incredible opportunity for students of the Crane Opera Ensemble to learn, workshop and premiere new works with the composers and librettists in the room to guide them. All the final selections have left a profound impact on our students and community. These composers and librettists have shown that the future of opera is in exceptional hands, and we hope to see all the selections come to life onstage in the future,” said Crane School of Music Assistant Professor Dr. Brock Tjosvold, who directed the finals. “The Crane Opera Ensemble is looking forward to premiering ‘Computing Venus’ in 2024!”

 

Noted American dramaturg Cori Ellison worked with the composers and librettists chosen as finalists, and will continue to collaborate with Takach and Vincent as they complete the opera project.

 

About the Winners:

Inspired by narrative, magical realism, speculative fiction and making better humans through art, the music of Timothy C. Takach has become a mainstay in the concert world. Applauded for his melodic lines, text choices and rich, intriguing harmonies, his compositions are performed worldwide. He is a co-founder of Cantus, Graphite Publishing and Nation, and he is a co-creator of the theatrical production “All is Calm: the Christmas Truce of 1914.” Takach has frequent work as a composer-in-residence, presenter, conductor, clinician and lecturer.

 

Caitlin Vincent is an award-winning librettist known for her nuanced character portraits and compelling treatments of historical subjects. Recent operatic works include “Better Gods” (Washington National Opera), “Uncle Alex” (Washington National Opera), “Tienda” (Schubert Club of Minnesota), and “Nullipara” (Pittsburgh New Music Ensemble). In 2017, Vincent and composer Douglas Buchanan won the Sackler Music Composition Prize for “Bessie and Ma,” an opera about the first female AfricanAmerican aviator and first female governor of Texas. A classically-trained soprano, Vincent graduated from Harvard University and holds a Master of Music degree from the Peabody Conservatory and a Ph.D. from Deakin University in Australia. She is currently on faculty at the University of Melbourne.

 

About the Crane Opera Ensemble:

The award-winning Crane Opera Ensemble is a significant source for opera and music theatre in the North Country region of New York State. The ensemble provides exciting opportunities for students to experience all facets of opera performance and production through rehearsals, coaching and classes related to performance practices and production techniques. The ensemble’s productions have garnered awards from the National Opera Association (2019, 2018, 2015, 2010, 2009, 2008, 2003), The American Prize (2018, 2011), and the Kennedy Center American College Theatre Festival (2010). 

 

About The Crane School of Music:

Founded in 1886, SUNY Potsdam’s Crane School of Music has a long legacy of excellence in music education and performance. Life at Crane includes an incredible array of more than 300 recitals, lectures and concerts presented by faculty, students and guests each year. The Crane School of Music is the State University of New York’s only All-Steinway institution and was one of the first Yamaha Institutions of Excellence. For more information, please visit www.potsdam.edu/crane. For more information about the Pellicciotti Prize, visit www.potsdam.edu/pellicciotti. 

 

About The Maria Mitchell Association:

The Maria Mitchell Association is a private non-profit organization. Founded in 1902, the MMA works to preserve the legacy of Nantucket native astronomer, naturalist, librarian, and educator, Maria Mitchell. The Maria Mitchell Association operates two observatories, a natural science museum, an aquarium, a research center, and preserves the historic birthplace of Maria Mitchell. A wide variety of science and history-related programming is offered throughout the year for people of all ages.
 


###

 

For Immediate Release

November 1, 2022

Contact: Erin Holdgate, Marketing Director

eholdgate@mariamitchell.org

Recent Posts

By Jascin N. Leonardo Finger May 18, 2026
A repost from long ago – because I still like a good chair. Quite awhile ago, I wrote about some of my collection addictions, including pottery shards, 19 th century kitchen mirrors, and of course, enamelware. Well, here is another one for you. I love chairs. Yes, this is another collection addiction of mine. But not all chairs – chairs from the eighteenth and nineteenth centuries. Typically, I like plain, simple wood chairs with a horizontal piece or two of wood for the back and a plain, thick wood seat. Simple, not a lot of turns to the wood, and not a lot of decorative features or paint. Several years ago, I had a meeting at the home of the leader of a group I was working with. She owned the Obed Macy house, very much untouched and quite a remarkable house. Yes, Obed was the Nantucket historian (among other things), as well as the son of island entrepreneur Judith Macy, and the nephew of the island “she-pirate” Kezia Coffin. We met outside on the side porch which was a late 19 th century addition to the house and one that certainly reflected what life was like in the period it was added to the house. The owner had brought out every chair in her home. I was on a chair high (not a highchair!) – here I had my choice of nineteenth chairs to sit on. Since I was one of the first to arrive, I took my time picking out which chair I was going to sit on – I kid you not. I was like Goldilocks − though I was grown-up enough not to sit on every chair to decide which one I was going to claim for the meeting! I went on and on and likely on and on about all these lovely chairs to her. Unfortunately, the day came several years later when she was faced with having to sell her beloved home to move off-island. She called me. She wanted to know if I wanted any of her chairs since she remembered how much I went on and on about them. It was a mixture of emotion because losing this island resident was a loss for the island and for its history and historic architecture. I went to her home a few days before she was going to have her sale and helped her move items from the house out onto the lovely 19 th century side porch where I first reveled in her chair collection and also out into the large, simple backyard that looked like it too had not been touched since the 19 th century. She told me to take whichever chairs I wanted as she wanted me to have them. Depressing. I told her I would not take but that I would buy. We had a little back and forth but she finally relented. Then, I had to choose and it was quite agonizing. Not wanting to be a chair hog, I limited myself. I now have two matching and two others sitting around my dining room table made from salvaged Nantucket pine floorboards. We refer to them as “Helen’s chairs” – their previous owner. She likely found them here on Nantucket; one or more may have even come with the house when she bought it. We eat every meal sitting in them, spend time with our family in long discussions and laughter sitting in them, and each time I sit, touch, dust, or move them, I think of Helen and the house these chairs once sat in and the conversations and people they must have witnessed over the many years. A simple wood chair – a witness to history and time. JNLF
By Jascin N. Leonardo Finger May 11, 2026
A repost – with my apologies – from last year. It started budding the week of April 30 this year. This is what our landscaper for the MMA calls it. “The ancient vine.” He tells the people who work for him not to touch the “ancient vine.” I have probably made him – and all of them – terrified of it. I am even terrified of it to some degree. I refer to the grape vine behind the Mitchell House that is supposed to be Peleg Mitchell Junior’s grape vine – Maria Mitchell’s uncle who inhabited the house from about 1836 to his death in 1882. It has two trunks but one died several years ago. Because of that, each year I try to root shoots. It’s fairly easy to do – when you cut back the vine in late fall/early winter. I have had success but not success protecting the shoots I baby all winter from bunnies and other critters once I plant them – try as I might. I started doing this when the one trunk died – I was PANICKED! The landscaper stays away because I have told him if anyone is going to accidentally harm or worse yet, kill, this grape vine it would be me so I only have myself to blame. So each November/December – once ALL the leaves have fallen off – I climb my ladder and quietly, carefully, and fearfully cut back the stems typically to two buds. I have been somewhat successful in spurring grape production – and these grapes attract some amazing birds in the fall. It takes me some time – and I pretty much hyperventilate the entire time – and then, I stare at it all winter. Passing under it multiple times a day to reach my office. Hoping, and yes, praying, it will come out in the spring. It’s a late budder so just recently the buds started to show themselves – thank goodness! – and I was rewarded today (May 5, 2025) with this wonderful hot pink color on the edges of the leaves as they are uncurling. JNLF
By Jascin N. Leonardo Finger May 4, 2026
May 6, 1878 Between the clouds, Miss Spalding obtained 7 photographs of Mercury on the Sun. It is comfort to me to be able to plan and do a new kind of work. The large telescope worked better than usual, Clark having just been to the Observatory. Clark, as in Alvan Clark, a man who would become the premier telescope maker in America and who built Maria Mitchell’s 5-inch Alvan Clark refractor that she purchased from him (after working with him to build it per her specifications) with money gifted to her from “The Women of America” led by Elizabeth Peabody. More than likely, it is this telescope she is referring to as she did use it in the Vassar College Observatory with her students – and it is also taking center stage in photographs, along with her (first her father’s) Dolland telescope.  Maria had decided she would photograph the Sun on every clear day, and this was one of those results. She would use these images, with her students, to study sun spots and their changes. With her students, Maria would photograph the transit of Mercury as noted above. She would also photograph the transit of Venus a few years later with her students. JNLF
Show More