Appreciating and Elevating the Everyday

Jascin N. Leonardo Finger • Dec 15, 2012

As the curator of a historic house museum that dates to 1790, I have a deep appreciation, enthusiasm, and affection for historic architecture and objects from the eighteenth and nineteenth centuries and earlier. I grew up surrounded by antiques and old houses. I was brought up to appreciate their simplicity, beauty, and utilitarianism. And this in turn, became a part of my occupation and what I surround myself with not just at work but in my personal life as well.


But, I also have a deep appreciation for everything from Philip Johnson’s Glass House and Le Corbusier’s work to Mies van der Rohe, Frank Loyd Wright and McKim, Mead and White designs. I appreciate the Art Deco style, pieces from the early twentieth century, and items designed in the 1950s and 1960s. I find the everyday item, whether it be a mixing bowl, hammer, a simple nail, a door knob, or even a pottery shard beautiful. There is beauty in each of these pieces – they were made for a purpose, designed by an individual, used by many. Many people have touched that door knob as they have gained access to the interior of a house, the bowl has been used to make breads or cakes, the hammer has been owned by and used by my great grandfather and now I use it. The nail I uncovered in the Mitchell House yard or the pottery shard are items once used by the family. It may no longer be useful but it is beautiful in its simplicity, for what it was once used for, and for what it tells us about the past.


We need to look at items from the past − even if their original intended use is outdated and they are not useful for that purpose now − such as the items pictured here. I came across several of these when visiting an antiques show with my parents and it took me a minute to realize what they were. Now, what a beautiful way to appreciate the craftsmanship and design that went into these. Yes, they may still be utilized if one is restoring an old car, but displayed like this in a wrought iron stand allows a person to better appreciate what today is typically a piece of plastic and which (in my opinion) very little imagination has gone into designing. Some of the same companies that designed these lens covers for headlights also made glassware – as in dishes, glasses, and vases. Yes, that is what these are: headlight lens covers.

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By Jascin N. Leonardo Finger 08 Apr, 2024
Vestal Street has seen a bevy of activity of late. In January, we began the renovation of the Maria Mitchell Vestal Street Observatory’s (MMO) Seminar Room addition – as it has been referred to since it was built in 1987. When it was created, the point was for it to serve as meeting, lecture, work space on three floors for the Astronomy Department – in particular the National Science Foundation Research Experiences for Undergraduate (NSF REU) interns we have each summer, visiting astronomers, and the astronomy staff. Believe it or not, it was the first time the Observatory had a bathroom! And, it connected to what we refer to as the Astronomer’s Cottage (ca. 1830 and purchased for the MMA in 1922) so that staff could move between the house and the Observatory without going outside – convenient! With a gift from board member and Mitchell family descendant, Richard Wolfe, we have been able to renovate this space, bringing it up to date and adding HVAC, an accessible bathroom and kitchenette, three office spaces, a seminar/meeting area, and space for intern workspaces. Lighting and interiors are being improved as this is written and we hope to have the space ready by June 1, 2024. A special thank you goes to John Wise, another Board member, who has been working with the MMA to make sure this renovation happens in a short timeframe. The work here dovetails nicely with the conservation of the historic observatory to which the Seminar Room is connected. The historic MMO, built in 1908 with a 1922 addition, has seen exterior conservation work over the last several years with support from the Community Preservation Act and the M. S. Worthington Foundation. This fall, we will move inside with more grant funding which will allow us to conserve the historic interiors and install a proper HVAC system to protect the historic fabric and historic astronomical equipment and papers. We will restore the floor in the Astronomical Study from 1922 – it’s hidden under wall-to-wall carpet and 1950s tile but it’s still there – and allow us to conserved the historic plaster and all of the original varnished woodwork. Stay tuned on this project. JNLF
01 Apr, 2024
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
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To me, Nantucket was always tumbledown fences. Covered in lichens, worn with wind and salt spray – grooved even – and a deep grey. Pieces broken, swinging in the wind as this broken one was with the 50mph gusts. Held together by vines – ivy or rambling climber vines, or honeysuckle. You do not see as many nowadays. This one is in town along a lane – possibly older than the house it wraps around as there was once a much older house there in the 1950s/1960s. Taken down to make room for this one – in a not so kosher manner – but that’s a story for another day. The lichens and mosses that grow on them, the vines that cover them, provide food and shade and coverage for a myriad of life – from the tiniest insects to small birds hiding from red-tailed hawks or even people and cats. Architecturally they speak of our past. While this one is very simple and not as old as others, it hearkens to a time in which cars were fewer, the island was quieter, and life was simpler. A fix was one picket not a whole fence. And some of the much. much older fences make me think of Maria Mitchell and her day when there were a lot of fences too – but not to keep people out or to create a “privacy screen.” They were there to keep animals in the yard – and more often to keep wandering animals OUT of the yard. JNLF
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