Appreciating and Elevating the Everyday

Jascin N. Leonardo Finger • December 15, 2012

As the curator of a historic house museum that dates to 1790, I have a deep appreciation, enthusiasm, and affection for historic architecture and objects from the eighteenth and nineteenth centuries and earlier. I grew up surrounded by antiques and old houses. I was brought up to appreciate their simplicity, beauty, and utilitarianism. And this in turn, became a part of my occupation and what I surround myself with not just at work but in my personal life as well.


But, I also have a deep appreciation for everything from Philip Johnson’s Glass House and Le Corbusier’s work to Mies van der Rohe, Frank Loyd Wright and McKim, Mead and White designs. I appreciate the Art Deco style, pieces from the early twentieth century, and items designed in the 1950s and 1960s. I find the everyday item, whether it be a mixing bowl, hammer, a simple nail, a door knob, or even a pottery shard beautiful. There is beauty in each of these pieces – they were made for a purpose, designed by an individual, used by many. Many people have touched that door knob as they have gained access to the interior of a house, the bowl has been used to make breads or cakes, the hammer has been owned by and used by my great grandfather and now I use it. The nail I uncovered in the Mitchell House yard or the pottery shard are items once used by the family. It may no longer be useful but it is beautiful in its simplicity, for what it was once used for, and for what it tells us about the past.


We need to look at items from the past − even if their original intended use is outdated and they are not useful for that purpose now − such as the items pictured here. I came across several of these when visiting an antiques show with my parents and it took me a minute to realize what they were. Now, what a beautiful way to appreciate the craftsmanship and design that went into these. Yes, they may still be utilized if one is restoring an old car, but displayed like this in a wrought iron stand allows a person to better appreciate what today is typically a piece of plastic and which (in my opinion) very little imagination has gone into designing. Some of the same companies that designed these lens covers for headlights also made glassware – as in dishes, glasses, and vases. Yes, that is what these are: headlight lens covers.

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By Jascin N. Leonardo Finger November 10, 2025
A re-blog from years past. The item you see here is a small piece of what once was. Upon her visit to Europe as a young woman’s chaperone in 1857 –1858, Maria Mitchell visited many of the major observatories of Europe and met many of the movers and shakers in the scientific, art, and literary worlds of the continent. While Caroline Herschel (1750 – 1848) and her brother, Sir William (1738 – 1822), were long dead, Maria was able to meet Caroline’s nephew (William’s son), Sir John Herschel (1792 – 1871). All three were astronomers, though Caroline found herself having to give credit – or have her brother accept credit – for much of her work because she was a woman. She has often been credited with the being the first woman to discover a comet. She was likely not – and the other woman who was the first lost credit through history as she had to “give” her comet discovery to her husband. See a pattern? Caroline was just one of many women in a long line of, “She couldn’t possibly do that – she is a woman!” As Maria once said, “But a woman, what more could you ask to be?” But back to this small item. It was a page from one of Caroline Herschel’s notebook’s, torn from its home by John Herschel to serve a s a memento for Maria of her visit to the family’s home. Maria was a bit shocked but . . . she took it! Over the years, the paper tore and ripped and just crumbled away until Maria finally decided that to save it, she needed to past it into one of her own journals. And thus, we have what we have. I assume Caroline’s notations refer to her brother William – “Wol” and Woll.” It could be an “I” but it really looks like an “O.” She is considered the world’s first professional woman astronomer – she would be compensated for her work after some time – and she warrants a greater look at – too much for a blog. So I encourage you to go take a look at her. Maria would want you to! JNLF
By Jascin N. Leonardo Finger November 3, 2025
I am not so sure our founders would love that title but the image is of the Maria Mitchell Vestal Street Observatory (MMO) “from the rear.” I love this image as it is really the only one we have – unless you count the one that is taken from farther away and from further into the backyard of the Mitchell House. That one allows you to see the natural slope of the Mitchell House back lawn which would be altered when they added the Curator’s Cottage. Both of the images were taken before the Curator’s Cottage was added at the back of the Mitchell House in the early 1930s – and this one you see here was taken before 1922 when they added the Astronomical Study onto the MMO. It also shows the original dome – which was copper – before it was replaced in 1951 – which is the current dome. The copper did not hold up to our climate here – salt spray, damp, fog. But the new one, shipped over from England, has held up well. The current dome was donated by Margaret Underwood Davis (MMA board president at the time), in memory of her son, Cushing Davis who was an amateur astronomer. Margaret Davis served as president from 1930-1946 and again from 1949-1953. The image tells you some other things too. For instance, the grape arbor behind the Mitchell House is supposed to be Peleg Mitchell’s (Maria’s uncle) grape vine – I have blogged about it several times before – and you can see it in this image. You can also see how the Milk Room connects to the 1850s kitchen. The 1850s kitchen was added by Peleg Mitchell Jr and it’s the first little wart you see with the white pipe attached. The next wart is the Milk Room – also added by Peleg – it’s the one with the shutters on the window. Both still exist it’s just the Curator’s Cottage was attached in the 1930s. You will see another chimney too. It appears alongside the white pipe. That is likely the original chimney to what is now the Astronomer’s Cottage at the MMA. We acquired the Cottage in the 1920s but I believe all of the additions, and the removal of the chimney, were done before we were given it.  Fun! JNLF
November 1, 2025
“If you don’t look, you don’t see. You have to go and look.” -Edith Andrews
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