A Child’s Donation

Jascin N. Leonardo Finger • January 24, 2022

Over Christmas, a neighbor of my Mother’s gave her a copy of something she came across while cleaning things up in her house. She thought my Mother would enjoy it and by the same token, my Mother thought that I would.


Her note with it stated it proved she was as old as dirt. She isn’t old as dirt. Believe me. 



The letter she had copied was from the War Production Board and dated December 16, 1942. It was “written at the request of President Roosevelt” who wanted to thank this young girl for her donation of a rubber tire. This was not any old rubber tire you see. It was a pure rubber tire – very much needed for the war effort – from one of her toy airplanes and measured not more than half an inch or so in diameter.  This young girl was distressed that everyone else, including in her family, was assisting in the war effort and that she wasn’t. So when she discovered the tire was rubber, she asked her mother to send it to Washington, DC. Which, obviously, her mother did do.


What does this have to do with Maria Mitchell you wonder? Well, it makes me think of collections and saving things. You have your own collections and archives at home – your family papers and photographs, your books (aka special collection books). These are valuable to your family and its history. They help you see what and who came before you and how your family became a family. What they endured. How they got to where they did and how where they came from helped, in part, to get you to where you are today. 

And then, these papers and books are important for the larger community. We learn from our past and our collective past – and these items help us do that. Scores of researchers use Maria Mitchell’s papers and those of her family every year. Not everyone is doing research on the family – they can be doing research on astronomy or some science-related matter, someone whom Maria or her family knew. The possibilities are endless.


So, from this little letter, I know a young girl in Connecticut contributed to the war effort and what she gave. I know that rubber (not that I didn’t already but you get the idea) was important to the war effort in some way. I also know that many people contributed to the war effort and this was just one simple way to do it. I know she had a toy that had rubber components. And as a young girl in 1942, she was playing with toy airplanes. And I know that the war effort was all consuming to the point that a small child wanted to make sure she found a way to help too while seeing her family members helping.


Your paper is important. Always find a venue for these items if you no longer want them. They will help us to better understand our world – past and present.


JNLF

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June 1851 My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . . The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association and the portrait of Isabel Draper is currently on display at the NHA’s Whaling Museum – on loan from a museum in Rhode Island. The portrait Maria states she posed for at the start of the letter is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dassel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel. JNLF
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