Maria Mitchell In Her Own Words

Jascin N. Leonardo Finger • Jun 16, 2014

June 1851


My Dear Sister . . . . Mrs. Dassel has painted me kneeling at my telescope. It looks like Adeline Coffin and is of course not handsome. If thee was here thee would have Mitchell’s {William Mitchell Barney, son of Sally and Matthew Barney} painted at once. She has a head of a child N. P. Willis that is very lovely. She has taken a room at the Atheneum and put up about a dozen pictures – very beautiful – Isabel is lovely. She has not tried to make a portrait, but a very pretty picture . . . . She is now engaged on Abra’m Quary – he is much flattered by it and it will be a fine portrait. I think we shall buy it or a copy for the Atheneum . . . . She will paint father also for herself – having made a pencil sketch . . . .We like her very much . . . .


The above is from a letter sent by Maria Mitchell to her eldest sister, Sally Mitchell Barney. In it, Maria details what everyone in the Mitchell family is up to. She includes some details about Herminia B. Dassel, an artist who came to Nantucket to paint the last Native Americans and also took an interest in the famous Mitchell family. This was of course four years after Maria’s discovery of the comet. At the time of this letter, Maria was still the librarian for the Atheneum and the portrait of Quary that she mentions possibly buying for the Atheneum, she did buy as it hangs in the Atheneum by the front door today. Opposite it, on the other side of the entry, is a portrait of Maria herself. Another Dassel portrait of Quary is in the collection of the Nantucket Historical Association. And the portrait Maria states she posed for is in the collection of the MMA. It was given to us in the early 1990s by Sally’s great granddaughter – the granddaughter of Mitchell whom she mentions above as well. Maria and Dasssel would become good friends – Maria was named the godmother of Dassel’s daughter. And the sketch of William made by Dassel that Maria states would become a portrait? It likely did come to fruition. It made its way down a side of the family but was unfortunately lost, likely sold as part of a family estate though we do have a photograph of it and one can tell it is the brush work of Dassel.


JNLF

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By Jascin N. Leonardo Finger • 08 Apr, 2024
Vestal Street has seen a bevy of activity of late. In January, we began the renovation of the Maria Mitchell Vestal Street Observatory’s (MMO) Seminar Room addition – as it has been referred to since it was built in 1987. When it was created, the point was for it to serve as meeting, lecture, work space on three floors for the Astronomy Department – in particular the National Science Foundation Research Experiences for Undergraduate (NSF REU) interns we have each summer, visiting astronomers, and the astronomy staff. Believe it or not, it was the first time the Observatory had a bathroom! And, it connected to what we refer to as the Astronomer’s Cottage (ca. 1830 and purchased for the MMA in 1922) so that staff could move between the house and the Observatory without going outside – convenient! With a gift from board member and Mitchell family descendant, Richard Wolfe, we have been able to renovate this space, bringing it up to date and adding HVAC, an accessible bathroom and kitchenette, three office spaces, a seminar/meeting area, and space for intern workspaces. Lighting and interiors are being improved as this is written and we hope to have the space ready by June 1, 2024. A special thank you goes to John Wise, another Board member, who has been working with the MMA to make sure this renovation happens in a short timeframe. The work here dovetails nicely with the conservation of the historic observatory to which the Seminar Room is connected. The historic MMO, built in 1908 with a 1922 addition, has seen exterior conservation work over the last several years with support from the Community Preservation Act and the M. S. Worthington Foundation. This fall, we will move inside with more grant funding which will allow us to conserve the historic interiors and install a proper HVAC system to protect the historic fabric and historic astronomical equipment and papers. We will restore the floor in the Astronomical Study from 1922 – it’s hidden under wall-to-wall carpet and 1950s tile but it’s still there – and allow us to conserved the historic plaster and all of the original varnished woodwork. Stay tuned on this project. JNLF

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Tumbledown Fence

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To me, Nantucket was always tumbledown fences. Covered in lichens, worn with wind and salt spray – grooved even – and a deep grey. Pieces broken, swinging in the wind as this broken one was with the 50mph gusts. Held together by vines – ivy or rambling climber vines, or honeysuckle. You do not see as many nowadays. This one is in town along a lane – possibly older than the house it wraps around as there was once a much older house there in the 1950s/1960s. Taken down to make room for this one – in a not so kosher manner – but that’s a story for another day. The lichens and mosses that grow on them, the vines that cover them, provide food and shade and coverage for a myriad of life – from the tiniest insects to small birds hiding from red-tailed hawks or even people and cats. Architecturally they speak of our past. While this one is very simple and not as old as others, it hearkens to a time in which cars were fewer, the island was quieter, and life was simpler. A fix was one picket not a whole fence. And some of the much. much older fences make me think of Maria Mitchell and her day when there were a lot of fences too – but not to keep people out or to create a “privacy screen.” They were there to keep animals in the yard – and more often to keep wandering animals OUT of the yard. JNLF
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